Few movies influenced me as much as Moonstruck growing up.
I must have been 12years old when I first watched it with my parents. My mother had to explain so much. The different kinds of love, the different reasons for marriage, the different ways adults get stuck and stop fully living, the messiness that comes from passion, forgiveness and the struggle to be honest, and the power of art (opera). Set in Little Italy in NYC, I could relate to a lot of the idiosyncrasies that come from being a 2nd generation immigrant. I thought Cher was beautiful, both before and after her makeover in the movie – possibly my first female role model that wasn’t a Disney princess. It is also the first time I truly appreciated comedy. It’s a funny movie.
Some of the key scenes from that movie happen at the Metropolitan Opera. I longed to see the famous Chagall painting that hangs therein, and to feel for myself the power of music in that concert hall. Which I did, in 2011. A broke student, I splurged on $250 tickets to go see Rigotello with one of my girlfriends. In 2014, I returned to the Met, this time alone, to fulfill a bucket list item of seeing Polina Semionova dance the lead in Manon. Both times, I hoped to run into Cher and Nicolas Cage, because obvi they must go to all the performances there, always, right?
This past weekend, I treated myself to a weekend getaway to NYC to visit my cousin & her fiancé. Her sister joined us. They’d been wanting to try out the ABT, and waited till I was available to join them, as I’m the balletomane of the family. I was SO excited to share my passion for ballet with them, specifically at this dream location of my childhood.
I cried as Giselle fell in love with her player-prince, was betrayed, went crazy from the shock of her beloved’s unfaithfulness, and died from the heartache. That was followed by intermission: I sipped a glass of bubbly out on the Met balcony with my cousins under the beautiful NYC night sky. I thought my heart would burst from the beauty of the night.
It occurred to me that I’ve undergone a similar character arc to Cher’s in Moonstruck. I was stuck in a place of depression, trying to live a safe life. I rejected vulnerability for the longest time. I tried to build a life that would avoid hurt and grief. Then the Universe threw Beaut at me, like it threw Nicolas Cage at Cher, and suddenly I was alive.
Ronny: Come upstairs. I don’t care why you come. No, that’s not what I mean. Loretta, I love you. Not like they told you love is. And I didn’t know this either. But love don’t make things nice. It ruins everything. It breaks your heart. It makes things a mess. We aren’t here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us. We are here to ruin ourselves and to break our hearts and love the wrong people… and die. I mean, the storybooks are bullshit! Now, I want you to come upstairs with me and get in my bed!
Beaut might no longer be in the picture, but he left me with dance. And through dance, my life is changing beyond recognition. The people I’m meeting; the lessons I’m learning; the trips I am taking; performing. Life is messy, thrilling and exhilarating, both on and off the dancefloor. That’s not the same happy ending that Cher’s character experiences in Moonstruck – but I’ll live happily ever after just the same. And what better moment to acknowledge how far I’ve come than at the Met, where Cher learned to feel as deeply as I have?
(Incidentally, that quote from Moonstruck is a very apt description of the story line of Giselle, the ballet we went to see. I love it when the Universe echoes the same message over and over, in different manners. #subtlenotsubtle)
It was a wonderful weekend with my cousins.
We walked through Central Park and the High Line. Little oasis of greens in the bustling city.
We aren’t here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us. We are here to ruin ourselves and to break our hearts and love the wrong people and die.
This weekend was perfect.